Next-Generation 3-D Medium of ‘Avatar’ Underscores Its Message

Saturday, December 26th, 2009

Pocket stereoscope from Zeiss with original te...
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In the James Cameron blockbuster “Avatar,” 3-D cinematography is the real star. The bugs and crawling creatures seem to slither into the theater seats. The floating mountains of the planet Pandora hover gloriously overhead. And the Na’Vi, Pandora’s 10-foot-tall, blue-skinned natives, come convincingly to life.

“Avatar” has generally won rave reviews, but too many critics have been dividing the movie into the 3-D experience and the plot as if they were unrelated. The remarkable thing about “Avatar” is the degree to which the technology is integral to the story. It is important to show Pandora and its Na’Vi natives in 3-D because “Avatar” is fundamentally about the moral necessity of seeing other beings fully.

Three-D technology has come a long way from the old days of the Three Stooges’ pie-throwing antics. Mr. Cameron created a single camera that can shoot live-action stereoscopic 3-D, to take the technology to a new level, and it is an undeniable crowd pleaser.

At the Imax theater in Manhattan where I watched “Avatar,” people fussed with their plastic 3-D glasses — a big improvement on the old paper and plastic film — for a few minutes. But before long the hushed audience seemed immersed in another world.

“Avatar” centers on a rapacious company that is intent on harvesting valuable ore from Pandora; the Na’Vi live over the largest deposit. The plot is firmly in the anti-imperialist canon, a 22nd-century version of the American colonists vs. the British, India vs. the Raj, or Latin America vs. United Fruit.

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